THREE BIRDS AND BERRIES: A ROOM SCREEN, c. 1925
Iron and cut metal
81 x 55 inches
Richmond Barthé (American, 1901-1989)
INNER MUSIC, c. 1956
Bronze on marble base
23 3/4 x 8 1/2 x 10 inches
1 1/4 x 9 5/8 x 11 1/2 inches
Signed: Barthe '65 (top base)
Marked: Stamped: AP © 86 (edge base)
MASK OF ANDRÉ DERAIN, 1935
Terra cotta on custom wood base
10 1/2 x 6 x 4 inches
16 x 6 x 4 1/2 inches
Signed: André Derain (ink, top rear mask)
William Hunt Diederich (American, 1884–1953)
FOX AND TWO HOUNDS BALCONY RAILING, c. 1920
Wrought iron, cut metal, brass
25 3/4 x 64 x 1 1/4 inches
ASPHALT PAVER from THE CITY AND THE PEOPLE series, 1922
Bronze on black marble base
4 3/4 x 3 7/8 x 3 inches
3/4 x 5 1/4 x 3 1/2 inches
ELEPHANT HEAD PEDESTAL, c. 1880
Ebonized walnut, parcel-gilt, with rotating slate stage
36 1/4 x 17 x 17 inches
top: 13 inches diameter
COTTON CLUB, HARLEM, DANCER (3/4 view), 1924
Graphite
14 5/8 x 10 7/8 inches
Signed: .AR. [cipher] / NOV. 1924 (pencil l.r.)
IRON SKETCH 51, c. 1932–36
Wrought iron with Philadelphia finish
12 x 9 x 1 inches
18 1/2 x 15 3/8 x 2 1/2 inches (overall)
Signed: Yellin (die stamp, l.r.)
Marked: 59 (paint, verso, l.l.)
SIOUX BRAVE: AN AMERICAN STOIC
1912
Bronze
28 1/4 x 10 x 7 1/4 inches
Signed: A. Stirling Calder / Copyrighted 1912 (rear self base)
Marked: Gorham Founders Q72 (rear self base)
TAXI DRIVER, 1933
Tennessee marble
16 1/2 x 8 1/2 x 8 1/2 inches
Provenance: Estate of the artist
Frederick William MacMonnies (American, 1863–1937)
DIANA, 1890
Bronze
30 1/2 x 21 x 17 1/2 inches
Signed: F. MacMonnies 1890 Copyright 1894 (top self base)
ANA TU, 1982
Mixed metals
9 x 8 x 11 1/2 inches
Signed: Lassaw
Marked: Ana Tu / 1982
PORTRAIT OF WILL ROGERS, 1941
Terra cotta mask on custom wood base
10 x 6 x 5 inches
16 1/2 x 6 x 5 inches
Marked: 11269AE / AS / 11268 / A-9141 / 63356 (ink, rear) PORTRAIT OF WILL ROGERS, 1941
HEAD OF A BOY, c. 1889
Bronze on original black marble base
19 3/4 x 7 1/2 x 6 1/8 inches
Signed: A. Piccirilli (right shoulder truncation)
Marked: Zoppo Foundry N.Y. (rear edge of foot support) PC471 (red script in concavity of head)
GREEK DANCE, 1926
Bronze on original ebonized wood base
18 1/4 x 14 1/4 x 4 1/4 inches
2 1/4 x 16 1/4 x 6 inches
Signed: C.P. Jennewein / © (rear, top base)
Marked: P.B.u.Co. MUNICH MADE IN GERMANY 21/ © (side edge of base)
CHIEF SITTING BULL (also Tatanka Iyotaka), 1884
Terra cotta with period iron band surround on custom base
28 x 20 x 5 inches
Signed: E. Kemeys / artist’s device [wolf’s head in circle] (lower left)
TORSO OF A YOUNG GIRL, 1932
Burgundy limestone
36 1/2 x 14 x 13 inches
Signed: Jo Davidson/ 1932 (left side of base)
SEATED NUDE ON GREEN CUSHION, 1931
Watercolor and ink
22 3/4 x 15 inches
Signed: Bumpei Usui / 31 (l.r.)
Marked: 3 (circled) 17 (circled) #19 FUJI CAT. / SORC 7712 (verso)
YAWNING (also SPRING AWAKENING), 1912
Bronze on marble base
12 3/4 x 9 3/4 x 12 inches
1 x 9 1/2 x 5 1/2 inches (base)
Signed: Paul Manship / © Roma 1912 (top base)
Marked: Roman Bronze Works N.Y. (rear edge)
STANDING FEMALE NUDE (Lucy Krogh), c. 1920
Marble
18 3/4 x 4 1/4 x 3 5/8 inches
Signed: HOWARD (rear of self base)
MOTHER AND CHILD, 1934
Watercolor, ink on rice paper; framed
15 1/8 x 11 inches
Signed: K. Miyamoto / NYC (l.r.)
PANTHER AND CUBS, c. 1850-55
Bronze on wood base
9 7/8 x 18 5/8 x 7 3/4 inches; base 2 x 22 x 11 1/4 inches
Marked: Ames Mfg. Co. / Founders / Chicopee / Mass (right rear edge, self base)